Colibris

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Seduction and eroticism were central themes of 18th-century French art and culture. This book, which accompanies an exhibition in the Hermitage Rooms at Somerset House, draws together a wide range of material from the State Hermitage Museum including important paintings, drawings, decorative arts and a recently discovered group of erotic prints which formed part of the Tsars’ private libraries.

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Although far less famous than Vincent, Theo van Gogh played an essential role in the art and life of his brother while leading a fascinating life of his own, as shown in a detailed biography with information drawn from the work and letters of both brothers.

Puteti comanda aceasta carte acum. In 48 de ore cartea este la dumneavoastra acasa, la locul de munca sau la oricare alta adresa.

Puteti comanda aceasta carte acum. In 48 de ore cartea este la dumneavoastra acasa, la locul de munca sau la oricare alta adresa.

Shares tantric secrets for deepening relationships, intimacy, and passion, and discusses harmony, communication, and healing

The principal elements of High Renaissance art, first formulated by Leonardo da Vinci in the 1490s, came to their true flowering in the brilliant achievements of Bramante, Raphael and Michelangelo in Rome, of Michelangelo in Florence and of Giorgione and Titian in Venice.

After the death of Raphael in 1520, the next geneation in Italy was to see the rise of the complex and refined sensibility summed up in the term ‘Mannerism’.

In this uniquely comprehensive guide to sixteenth-century Renaissance art, Linda Murray not only examines the many acievements of Italian artists, but also identifies the strongly individual forms taken by the Renaissance and Mannerism in Northern Europe and in Spain.

Expressionist Karl Schmidt-Rottluff, co-founder of the ‘Brucke’ movement in Dresden, convey the essence of the revolutionary movement in the arts which overthrew the stifling academicism of Kaiser Wilhelm’s Germany and led in the years between 1900 and 1914 to an amazing upsurge of creative activity. The story of this decisive and immensely rich contribution to the history of twentieth-century art is told here by a senior curator of the Bavarian State Art Collection, largely in the vivid and intensely revealing words of the artists themselves.

Surveys the origins, development, techniques, approaches, principles, motifs, and major paintings of the nineteenth-century British school, relating the painters and their works to their society.